Duet for Theremin and Lap Steel - "Absinthium".
Duet for Theremin and Lap Steel - "Serpentariae".
Atlanta's Duet for Theremin and Lap Steel are a duet, a duo. Their principal instruments are theremin and lap steel. They are evidently well-named. But at the same time that name, for me, suggests an emphasis on virtuosity, musicianship, the unacommpanied gifts of its individual players. In fact, the music of Duet for Theremin and Lap Steel feels more to me about dissolving the individual, forgetting the maker. Scott Burland and Frank Schultz make weather. Both of their instruments are suited to this approach. Anybody who has seen a lap steel being played has probably experienced that sense of mystification: where is the sound coming from? where is it going? It's as if the lap steel player is using his instrument to conjure music from the room, out of bare air. A theremin can give a similar impression. The machine seems secondary to the sound, just accompanying paraphernalia. The term "ambient music" is most often deployed to describe music that's restful, drifting, slowly unfolding. Most of Duet for Theremin and Lap Steel's improvisations are this - but they're also ambient in a more literal sense. These recordings seem intimately linked to the spaces they were made in (or from) and, if the listener plays them at home - loud, on speakers - they get tied up in those spaces too, knitting into the paint on the walls.
Duet for Theremin and Lap Steel is also a cheat of a name because Burland and Schultz use other instruments, or use their instruments in ways that conceal their identities. "Serpentariae" is suffused with gongs, bells, reverberations. "Absinthium" is filled with the clarinet and saxophone of collaborator Jeff Crompton. Around him, Duet for Theremin and Lap Steel dream up clouds, aurora, sunspots, storm-fronts. They make weather overhead. Listening to compositions like these - music these musicians made up, in studio, somewhere far away - I am struck by what a gift they have. Not just that they can make weather, summon it from nothing, but that they can bottle it - like springwater, or earth. Sending spring or summer up from Georgia, to where we shiver in the cold.
[buy / Duet appear next month at Knoxville, TN's spectacular Big Ears Festival]
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Max Cilla - "La Flûte des Mornes".
Meanwhile, there are other weathers. Purple ones, warm sun on frozen days, melting snow on mountaintops.
[buy]
Posted by Sean at February 5, 2018 10:26 AMWHOA THANK YOU FOR THESE
Posted by Emma at February 6, 2018 1:06 PMThe Max Cilla tune reminds me a lot of Solomon Ilori record ! Thank you Sean (and hey !)
Posted by Chryde at February 7, 2018 6:39 AMThanks for these, Sean.
Once when I was producing classical music concerts for radio (30 years ago, now) I asked a contemporary composer if he wanted to suggest anything for the commentary track and he said "You should always tell the listener the length of the work - so they know when they can come back to the radio to hear comfortable familiar songs..." One thing that I appreciate about these two tracks is that they are 'songs', short complete works. Some ambient composers don't when their idea has been 'played out'--these guys do.
The other thing that I hear in these songs is that they use the steel & theramin to be a kind of rhythm section, that the guests can build their melodies around...
Thanks for sharing these, Sean! I look forward to listening to this record when the spring thaw arrives
Posted by Brennan at February 12, 2018 9:08 PM