HALF TRIUMPHS
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.


 

Gigantic Hand - "SuAnne Big Crow". I wonder if you know this feeling: You're like a building with the foundations blown out, still upright but all the struts and supports weakened, all the everything ready to go, ready to collapse. You feel like that; hollow. You go down to the subway and stand on the platform feeling grey and paper-thin. The ventilation shushes. And then suddenly, thwackkkkkkk, a subway-car slams into the station, slaps into the station, flies past you volatile & violent and it's like you've just been shoved. You rock back on your heels and realise: I'm still standing. You take a breath. I'm still standing. // Anyway I wonder if you know this feeling. (I haven't felt it in a long time.) Gigantic Hand do. "SuAnne Big Crow" is a song of a hundred station-slams, a hundred heel-rocks, four shoves per bar. But you're still standing. [MySpace/buy in February]

Bobby Digital ft. Thea & Monk - "Drama (Spoolwork remix)". Dave Fischoff releases electro-folk music on Secretly Canadian and remixes songs by Jens Lekman and Radiohead as Spoolwork. But I like him best when he takes off his indie duds and makes beats that are practical, just tomato-red rad. Here he recalls Jay-Z's "Hard Knock Life" (but happier) - transforming the RZA's "Drama" from classicism to hopscotch, cathedral to playgroup. [MySpace]

---

My newest music article for McSweeney's is now online: a piece on the 2008 Pop Montreal festival.

Posted by Sean at November 24, 2008 10:09 AM
Comments

I like the eclecticism of your choices. They rock and groove. They are complimentary. Perhaps it's the strong background beat.

Posted by marziparzi at November 24, 2008 5:50 PM

Ahh the RZA, so instrumental. But the point is, "At this particular junction in my life I can connect with the words of the aforesaid spoken words".

Posted by Christopher Paul at November 25, 2008 8:29 AM

all of a sudden, I am awaiting the release of this album by a band I barely know anything about with more anticipation than christmas holidays.
Gigantic Hand, what a strange name and what a wonderful noise.

Posted by camille at November 28, 2008 1:26 AM

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"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.

Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.

Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.

Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.

Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Neale McDavitt-Van Fleet.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.

Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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