HERE IS AN ENTIRE MUSHPOT COMPILATION
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.


 

A few weeks ago, our friends at Mushpot - a Brooklyn-based label and PR firm - asked if Said the Gramophone might be interested in premiering a compilation of new Mushpot music. We said: "Let's hear it!" They sent it over, we listened, and we liked it so much that we said yes.

Future Magic Vol 1 cover

The compilation includes unreleased songs by Gramophone favourites like Capybara, Emperor X and Jumbling Towers, as well as Arc in Round, WAMPIRE, Candy Claws, Baby Birds Don't Drink Milk, Magic Magic, Family Portrait, Please Quiet Ourselves and Yawn.

For this week only, you can download the entirety of Future Magic Volume 1 by clicking here (60mb). After that, it will still be available through the Mushpot website.

The download includes info, album art, and hi-fi mp3s.

But today and tomorrow, also, some tastes:

WAMPIRE - "Magic Light". The Brill Building's still going. It's eleven storeys tall, compartmentalized. The senior songwriters get offices: potted plants, doors that close, desk-drawers on oiled guides. The junior songwriters are relegated to cubicles. The cubicle-walls are blue, pilled. Their screensavers show distorting beach-balls. WAMPIRE was one such songwriter. He had been at the Brill Building just three months when the seas began to rise. He would lean against the break-room's door-jamb, sipping water from a paper cone, watching the man who wrote "Single Ladies" and the woman who wrote "Complicated" microwave their lunches. He would crumple his cone into a ball and swish it into the garbage bin. WAMPIRE would be the next Carole King, the next Bernie Taupin, the next Terius Nash. His ridiculous name, the name he was born with, would no longer be an obstacle. Everyone would snap their fingers to his number one hits. WAMPIRE began working long nights in his cubicle, lingering long after the others had gone home, writing middle eights as the sun came up. He stopped meeting friends, stopped reading the newspaper, stopped browsing the net. He didn't hear that the ice-caps had melted, that the glacier-water was flooding in. He didn't hear about the evacuation. He thawed muffins, stirred creamer into instant coffee. He wondered where everyone had gone. As the water passed the 9th-floor windows, WAMPIRE's feet were on his desk. "Magic Light" was playing out of his Pentium's tinny speakers. The sheet-music scrolled by on his screen. He said: "Got it." ["Magic Light" is exclusive to Future Magic vol. 1 (downloadable above). See also their MySpace.]

Posted by Sean at March 8, 2010 1:06 AM
Comments

Brilliant, thanks!

Posted by Pedram at March 8, 2010 6:51 AM

mushpot is simply THE BEST

Posted by jason at March 8, 2010 2:56 PM

retarded acid casualty karaoke.

Posted by scotty g at March 8, 2010 5:48 PM

thanks, this is great
dig the new please quiet ourselves tune
magic magic too

Posted by brendan at March 10, 2010 1:25 AM

gotta love the mushpot.

Posted by Sanita at March 10, 2010 6:45 PM

I feel like the little moment at 5:00 makes this song special.

Thanks for this great sampler!

Posted by Maks at March 10, 2010 10:01 PM

candy claws' "in the dream of the sea life" was my summer jam.
so happy to see them getting more and more clearly deserved attention.
all their stuff is great.

Posted by bvbv at March 11, 2010 7:59 PM

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(Please be patient, it can be slow.)
about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.

To hear a song in your browser, click the and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'

All songs are removed within a few weeks of posting.

Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.

If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
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Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.

If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.

"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.

Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.

Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.

Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.

Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Neale McDavitt-Van Fleet.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.

Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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