Rata Negra - "Aguas Negras" [buy]
Before you know it "Aquas Negras" is going to be the perfect punk rock beach song to sandwich on a mixtape between "Celebrated Summer" and "Rockaway Beach." Listen to this jam on your beat-up boombox when you are dressed in improvised swimwear, sitting on ratty towels, and surrounded by an enthusiastic pack of dogs. Ride that boogie board, let the sun sink into your old tattoos, eat salty chips by the bag, this will be your soundtrack. The catchy vocal hooks will worm into your brain and the cool breakdown, echoing the shredding of early college rock, will make you smile. From Madrid and emerging from the ashes of Juanita y Los Feos, Rata Negra are a perfect power trio harnessing melody, discordance, and tuneful rage.
(Nan Goldin, Bruce and Philippe on the beach, Truro, MA, 1975.)
There are a lot of musicians reaching out.
From Montreal's Homeshake and Alex Calder,
"We have decided to release two previously unreleased songs and donate all the sales to a good cause.
100% of album sales will be donated to IRAP (International Refugee Assistance Project).
Learn more and other ways to donate or help out here:
Dura - "Stage 1(Alpha)" [Buy]
I wonder how many people reading this and voted for Trump who have been waiting on one of us, writers to post new 3 Doors Down song.
I wonder if any of alt-right aka neo-nazis deserves to be punched aka control-alt-delete from the earth, reading this site, waiting for some white supremacy music to be posted.
anyways, some people probably want to get away from politics. There is music.
12:56 PM on Jan 27, 2017
PJ Harvey - "Rub 'Till It Bleeds" [buy]
Can - "Vitamin C" [buy]
The door swung open. Steve was over six feet tall and had thick arms from all the tinkering he did: assembly, disassembly, rogue missions under the cover of night. He gave Ben a big hug.
"Your neighbour was giving me the stink-eye," Ben said.
"Ah," Steve waved his hand dismissively, "they all think I'm dealing." He laughed and led Ben up the stairs.
"I didn't know the station was back up and running until I heard it coming from a chip truck downtown," Ben told Steve.
At the top of the stairs they turned left and into a double room in an intricate state of disarray. Piles of records leaned against every wall and the room was criss-crossed with wires. In one corner was a long table covered in turntables, amps, and tape decks.
"That's amazing. I didn't think our signal was broadcasting that far north." Steve held up a finger as he sat down at the table and pulled a pair of headphones up to his right ear.
The song playing on a nearby speaker faded out in a swirl of distortion as Steve grabbed a microphone and pulled the crossfader. "You're listening to CSIC, Seasick Radio, and that last cut was 'Rub 'til It Bleeds' by the brilliant PJ Harvey. Next up we're going to go deep into another world," Steve hit the reverb switch and his voice went wobbly.
Steve had explained to Ben how this whole pirate radio station worked. To him it was all child's play, plugging one thing into another and another, and then shimmying up the side of a building and installing a rigged-up broadcast tower. Nothing to it, Steve said, but Ben was in awe. It was all magic to him.
"Our guides on this journey," Steve continued his intro, "are the one and only German funkateers. Ladies and gentleman. Here is Can." His reverby voice left off as the first intricate drumbeats of the song faded in.
RIP Jaki Liebezeit
Blithe Field - "Clasped Hands"
Blithe Field - "In the Moonlight"
In the director's cut of my life - the one where I move to the Maritimes for school and to take long sad walks by the freezing cold water, where I own better sweaters and more knitted blankets, let my friends cook me spaghetti dinners on board game night and grow slowly into someone whose heart fits right inside her, am swept up some nights by dusk and fog but quietly and without the need for repair, where I learn to sleep in real quiet and have a better record collection and am in love with a woman whose hair spills across our sheets like sun through the blinds and who teaches me to make things with my hands, where I write poems with line breaks in them and read only books I can steal from the thrift store, where on weekends I clamber alone up the muddy banks to somewhere, see the view and come home winded, where in quiet moments I feel the weight of my failures pressing into brand new parts of me, am tethered entirely different than I am to myself here, in this version, the one in which I'm writing now - this is what the walk home sounds like.
[buy Warm Blood]
Chavez - "The Bully Boys" [buy]
The crushing riff at the heart of "The Bully Boys" feels archeological, like it was discovered deep in a mountain cave or found sun-scorched in the desert after years of searching. Hypnotically repeated, the riff is our careening path into the song, something to follow as the whole thing lights up with pyrotechnics. Geological bass, sick guitarmonies, and ragged singing over drums galloping forward into double-time. When it all feels a bit too much, the band relents, pulling back into a breakdown as it fades. The first new Chavez song in two decades finds the band easily picking up where they left off, updating and refining a sound that was quintessentially nineties into a twenty-first century jam.
Trust Fund - "Like a frog".
A cathedral of marshmallow - the dyed kind, pale green and cotton-candy pink, marshmallows for looking at more than eating. It was designed over six years and took 80 more to build. Portico, cantilever, gothic spires like arrows to the sky. Artisans were brought from the other side of the world - architects, sculptors, carpenters, glaziers, mallow-masons, plumbers to raise the holy water. What a cathedral it would be. What a cathedral it was. A cathedral of marshmallow - the dyed kind, pale green and cotton-candy pink. When it was finally finished the bishop stood in its nave and closed his eyes, feeling God upon him. The pilgrims came, the congregants. They worshiped there. When no one was looking, they delicately licked the walls. Seven months later, the cathedral melted in a fire.
10:42 AM on Jan 16, 2017
about said the gramophone
This is a daily sampler of really good songs
. All tracks are posted out of love
. Please go out and buy the records
To hear a song in your browser, click the
and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone
launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us
if you would like the song taken down early. Please do not direct link
to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors
. Follow him on Twitter
or reach him by email here
. Click here
to browse his posts.
writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This
is her website and email her here
is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True
and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter
is originally from Osaka, Japan who now lives and works as a furniture designer/maker
in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here
Site design and header typography by Neale McDavitt-Van Fleet
. The header graphic is randomized: this one is by Keith Andrew Shore
wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here
to browse his posts. Email him here
wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star
. Click here
to browse his posts. Email him here
our favourite blogs
(◊ means they write about music)
Back to the World
A Grammar (Nitsuh Abebe)
A London Salmagundi
Words and Music
Gorilla vs Bear
Clouds of Evil
The Dolby Apposition
Awesome Tapes from Africa
Pitchfork Reviews Reviews
i like you [podcast]
Wattled Smoky Honeyeater
The Clear-Minded Creative
Passion of the Weiss
Juan and Only
Then Play Long (Marcello Carlin)
Coming Up For Air (Matt Forsythe)
my love for you is a stampede of horses
It's Nice That
Song, by Toad
In FocusAMASS BLOG
The Rest is Noise (Alex Ross)
My Daguerreotype Boyfriend
The Hood Internet
things we like in Montreal
le pick up
au pied de cochon
vices & versa
+ paltoquet, cocoa locale, idée fixe, patati patata, the sparrow, pho tay ho, qin hua dumplings, café italia, hung phat banh mi, caffé san simeon, meu-meu, pho lien, romodos, patisserie guillaume, patisserie rhubarbe, kazu, lallouz, maison du nord, cuisine szechuan &c
drawn + quarterly
+ bottines &c
casa + sala + the hotel
blue skies turn black
montreal improv theatre
cinema du parc
yoga teacher Thea Metcalfe
The Morning News