Hexes and Ohs - "The Shape Is Me"
You can listen to this and then say good-bye to something.
When I listen to this it's as if I'm having a morning where I don't have to go to work. It's sunny and I have the day to myself. But I'll stay inside, because my neighbourhood is a tragic, tragic place. I can only watch so many people give up before I start to think it's a good idea for myself. Have a place to go when you leave the house. Have someone to meet, someone to talk to. I think this song is kind of afraid.
[More]
****
Birdmonster - "Janine"
This should be the song we're all sick of by the end of the summer, but I'm glad it won't be, 'cause those songs are ruined forever. Either that, or indelibly tied to some setting or routine in which the song was often heard. Songs like REM's "Losing My Religion" and Crash Test Dummies "Superman", they're just completely silly to me now. You might as well show me a slide show of me on an RV trip with my parents and sisters. In fact, if you could arrange that, I would like it.
this song's about trying to cut strings you don't want to cut.
(sigh)
whoever's reading this, I'm going to call you pretty soon.
[Buy]
12:54 AM on Jun 16, 2005.
John Cage - "Music of Changes (Book I)"
Me: Experimental Music.
You: Boo. Damn it, boo.
YOU ARE NOT WRONG. I go to mp3 blogs every day, and if I was forced to swallow "experimental music" I would do it with a grimace too. But hear me out: try not to listen to it in the same way you listen to regular music. And that doesn't mean seriously, and smoking or something. I prefer to think of that picture of John Cage and try to imagine what shape this music would be, how would it look if it fell out of a jar, what it would spell if it were somehow translated into language.
large sections of the whole Music of Changes piece were composed by a randomizer on a computer; the composition uses every key and every volume (is that the word? from pppp to ffff) on the piano. It's not enjoyable to listen to, by any means. But that might (but totally could also not) be the point. It's like putting a bra on an unbalanced washing machine and trying to enjoy its belly dance; you start to wonder what you were even thinking when you were dancing down the street to a series of notes. And then I think of his face again.
[Art!]
*******
NMVF - "Gene the Machine"
We're getting a little more accessible. NMVF makes IDM (intelligent dance music?), but I don't like that genre, 'cause Autechre and Boards of Canada aren't making IDM, in my opinion, but I guess you gotta call it something.
This song is made using a modified Speak-n-Spell, and it's a squinky, almost twee little gem. Robo-kitty plans a dance and no one goes. Except Gene, the Machine, who dances a softshoe on a tarpaulin made of an oversized novelty cheque.
watch your ears on those high-pitched squeals. Fifteen Grand!
[More]
[How to Modify Sound-Producing Entities Into Instruments]
******
Animalmonster - "Jumangi"
This is supposed to be the most accessible song today. And it totally is, it's a hypnotizing, droning stretch mark that pushes up the sidewalk a bit as it rumbles underneath. It's like a pink wind that moves in ribbons. It's unnerving, but at least it's alive.
[out of print]
******
Also: if you live in Toronto, you should check out my friend Sarah's acclaimed experimental documentary Can You Love Me? at the Worldwide Shorts Film Festival. It does what any great short does: charms you, moves you, and makes it look so damn simple. It's playing today at 4.30 and Saturday (I'll be there!) at 9.15. check the schedule.
Saw Wolf Parade tonight. We are all in for a big treat. They're only getting better.
Spencer summed up the atmosphere of tonight's show very nicely: "it's like a party at the bottom of a swamp."
Wolf Parade - "A Day in the Life (Atlas Strategic cover)"
I never posted this because it was from such an early show that I thought maybe they just didn't have enough of their own songs to play. But then they played it tonight, so I'm sure they wouldn't mind.
I Need Sleep - "I Should Give Up"
This song is sung by a bleary-eyed truck. and the instruments are white and yellow, dotted and solid, lines. The truck is hungry, and looking for dogs and deer, to ask a dance. What happens when you don't sleep is a look underneath the veil of 'rest'. Feeling sick is feeling good.
Also, in a more literal sense, your submissions of music seem to be getting better all the time. Keep it up.
[Site]
*****
Honey is Cool - "Nach Heart"
If I were Swedish, created in 1997, and a piece of music and not a person, I might be this song. But if I were, I would sing like a girl, and I don't want to do that.
You can like it because it gets loud when it should, it's a morning anthem, it's a single. And you can hate it for the same reasons. Do what you want.
It's probably because 'harbour' is one of the few words I can decipher, but I think about being in the middle of the ocean, but having a shark-proof suit and a really good life jacket. Simultaneously in danger and safe.
The singer's name is Karin, and a fansite had this to say about her:
"they say that Karin is a small girl and a mature woman in same breath."
It's almost better when you don't know the language. Je suis désolé, je ne suis pas capable.
[Buy used]
Clap Your Hands Say Yeah! - "The Skin of My Yellow Country Teeth"
this song is 5 minutes and 43 seconds long. the more prepared you are, the better.
It starts off normal enough, but you don't realise what kind of voice is waiting to stretch its legs. Striding alongside, pretending to catch up but being perfectly capable of running circles around the music, the vocals and the melody play like two brothers.
What's so great about it is how normal it is. It sounds like so many bands, but just way better.
Clap Your Hands Say Yeah! - "Details of the War"
This has that restrained, rumbling power that gives me tingles when I'm walking down the street/trying to not be me. It stands behind you and puts its hand on your shoulder; you and the song can wait together for the awful things that are just up ahead. You can both watch trouble tie its laces.
[Buy]
I wanted to post 3 songs from this band, because there are three amazing songs on this record, and bunch of other great ones, but I thought better of it. Just get the album, it's very worth it.
and if you live in New York City (and you know it) you should go to their cd release party tonight.
Bullette - "Show Me"
This was sent to us last week. I was skeptical at first (I usually am when the promotion is so professional) but Bullette withstands the test: every time I listen to a song I make a wish, and if I make the same wish twice I--- no, there's no test. Mathematically, it's good; write it down, map it out, you'll see. She's a completely competent musician interested in entertaining you. Worked on me. Plus, the rest of her album changes up the pace, so your brain is tricked into wanting more. MUSIC IS AN IRON LUNG AND HEAVEN IS A PRISON.
[download]
********
The Lay All Over Its - "Track 2"
There's been a lot of 'untitled' tracks posted recently. Who cares. Track 2 off of Love All Over It is head, shoulders, and long black tails above the rest of the album. Which is too bad, because I could listen to way more of stuff this good. I feel like I'm sitting, hiding, under stairs, listening to people go up and down, but they're doin' something really bad. Like bringing handfuls of something up to a sink to wash it, and then back down to get more (not laundry). I'm taken out of this at the disappointing intelligibility of "I love you I love you I love.." but it's not long before I can get back.
[nope]
********
Kyla - "BC March"
I hope this is the only song she ever makes. Perfect, perfect, perfect.
I invented a game for people who listen to as much music as we do. It's kind of a "call-and-response" type game in which one song leads to another, and the relationship is up to the relater. So for instance, if I say "Jacko's Thriller", you might say "The theme song from 'Coven'" because of a common mood, or you might say "Pachelbel's Canon" because Thriller is scary and cannons are scary. Anyway, you get the idea, it's not about one of these songs, it's about how they live together.
Big Star - "Take Care"
&
Headphones - "Slow Car Crash"
It's essentially about the same moment. Focusing on the moment when everything goes sour. This is impossible to do, and both songs realise this, but try in their way. One scared, hopeful, tired; one unflinching, raw, and completely desperate.
[Buy] & [Buy]
*****
Nick Drake - "Time Has Told Me"
&
Homestar Runner - "Everybody Knows It"
The first, one of the happiest of a sad career, the second, the saddest of a generally happy career. And both seem unaware of what they've done.
"There's really no way of ending your troubles with things you can say"
"You gotta do the best you can"
okay? now you try.
[Buy] & [site]
12:58 AM on May 27, 2005.
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the  and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Neale McDavitt-van Fleet.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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i like the way you are making me feel. (but not in a creepy way)
Cool tracks.
I would be very surprised indeed if you called me.
Thanks, as always, for broadening my musical horizons.
I'll be waiting for your call. :P
Wowsers, Birdmonster sounds rockin': what a great name too!
The interesting thing about the music posted on this blog (Dan in particular) is in your descriptions. You totally disregarded the actual musical implications of the song and instead went for the feeling it gave you. It's a cool way to do it, I think. Usually I will either be turned on or off by a description, if it is aimed at the music. But I can't gather an opinion on the music until I listen to it, which can usually be a good thing or a bad thing. Thanks, Dan.
You write so goddamned well. It's intimidating.