Neil Young - "Bandit"
from Greendale. it's the only song I've heard in it's entirety, but it knocked me down/around. Apparently the rest of the album is more guitarry, well...fine.
The following are all good things:
It's so tired. This song is the end of the rope, and it's like wishing you luck as it pries loose your fingers. There is so much unsaid, it's as if the chorus is missing words: "someday you'll find / everything you're looking for / because I didn't, and people should". Even the guitar is tired, it rattles like it has trouble breathing. And I want to listen to every word like it's true; like it's been proven by a lifetime.
[Buy the cd, dvd, and book]
The Robot Ate Me - "You Smile"
Lullabies are supposed to be sad, 'cause then you want to go to sleep to escape it.
[Buy]
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Sunset-Valley - "Mr. Extreme Jeans"
My body is starting to react to the amount of time I've been spending at the computer. Wrist pain, then eye pain, and now, wait for it, a blister on my thumb from pressing the spacebarsomuch. So, in case I die before the end of this paragraph: WHAT A CHORUS! I've noticed recently that people will quickly relate a song's being really catchy to it's potential to sell something. "That song will probably be in a commercial" etc. I'd look down my nose at this, but I did the exact same thing when I heard this song. But maybe it's good, that way, ad people will be bowing to OUR standards as opposed to setting trends. Party in the street! (no cameras allowed, ever again)
[Buy]
Jack Kerouac - "an excerpt from The Subterraneans"
There's not really many author-celebrities today, are there? I guess Dave Eggars does his thing, and lots of people know who he is, but he doesn't like, go on tv and stuff. No one who's just an author enjoys the kind of attention that Kerouac....experienced.
Hearing him read was really the key to enjoying his writing for me. I could listen to him read for hours, often ceasing to listen to the words and hear only the sounds. Which I think he started writing like eventually, after the midpoint in the chronology of books, stuff really starts to lose sense. But not this one, Mardou is one of his most vivid characters in my opinion, entirely because of the lack of description she receives. He felt he had her figured out, I guess.
[Buy]
Freddie & The Hitch-Hikers - "Sinners"
I bought a cell phone today. And I literally caught someone elbowing their friend and saying, "Look, at the sucker." Sigh. I felt like my former self (my pre-celf, if you will (please don't)) was singing this song to my future self as I sat there and actually said the words "If I have a choice, I'll take the free mp3 player." This is how it starts. Soon I'll be buying $30 shirts, and saying things like "I really like that belt." What's interesting about Freddie (and the boys) is that he knows the sinner is wrong, he seems to take pleasure in describing the suffering the sinner will endure. He's so sure of it, he can play the laziest (and smallest) guitar solo I've ever heard, and get away with it. [I got it here]
Daft Punk - "Technologic"
In keeping with the spell-it-out style of social commentary that is the new Daft Punk album, I will immediately follow a paragraph about cell phones with...yeah, we get it...tech-no-logic. But forget all that, because Daft Punk is here to LET you dance. [Buy]
Stephen Malkmus - "Baby C'mon"
It's 4:24.
My brain is really nervous that whatever review I give, whatever statement I give, will seal me in a tomb of regret to wake up in later on. I want to be right. I want to convert you. okay, here goes:
Boy is chained to the floor, guitar strap glued to the back of his neck. Teaches himself to play and everyone gathers around and claps. Keeps playing for 10 years, every day, a constant parade of clapping, cheering people, he's still chained to the same spot. Eventually, his arms hang by his sides and he stares out at the crowd. His stare turns to conscious examination, he is fascinated why the crowd hasn't left. He begins to see why, in their expressions, in the mirrors they're holding. He shrugs, picks the guitar up from his waist and resumes playing, to much applause.
I really believe that Malkmus is trying to Face some Truth, but his truth still looks and sounds like lies.
It's 4:40
[if you're american, buy the single off iTunes]
I'd like to start by clearing up an issue with yesterday's post. I think I spoke out of turn:
It was not cLOUDDEAD backing up DoseOne, it was in fact Boom Bip all along. My deepest apologies to both cLOUDDEAD and Boom Bip, you really do sound nothing alike, I'm not sure how I could confuse you. Mea culpa.
All right, with that out of the way, on to today...
McLusky - "She Will Only Bring You Happiness"
Like jumping rope, and the rope is getting longer and longer, and you're able to jump higher and higher, until eventually it takes like 15 seconds to do just one jump, and the rope is like a hundred feet high, it's brushing the wings of airplanes and making a whistling sound that's deafening.
McLusky - "Alan is a Cowboy Killer"
These musicians are broken up now (november?). Apparently they did it for 10 years. Don't they sound young? They feel young; not an insult. "You were such an awkward child" rings true for some reason. A problem with most movies about childhood is that they romanticize what kids are like. Kids are dumb, they don't know what to say, they say the wrong things, they latch on (with extreme fervour) to things they like, they have no sense of personal space, their social behaviour is often very ugly. Not like in the movies. [Buy]
speaking of movies, to change the pace..
Anton Karas - "The Third Man Theme"
I have a longer, cleaner version of this, but this just gets right to the point of the song, I believe it's pulled right from the movie. It's such an engaging melody, I really can't believe it sometimes. Story: Carol Reed heard Karas playing at a bar, demanded that he score his film, holed Karas up in a hotel for 3 days, after which Karas emerged with this. Karas did not speak a word of English. After the success of the film, he toured around just playing this (and other zither songs of his composition) like....contemporary comparison...Bobby McFerrin? [Buy]
Today there is a one-day student strike at Concordia University. But no matter where you go to school, even high school (in fact, especially high school), please show your solidarity by not attending classes.
Boom Bip & Dose One - "Birdcatcher's Return (Circle) [Live]"
My friend Jon sent this to me with the message "this is great". Agreed, Jon. Is it hip-hop? No one cares. From what I can tell it's Dose One (or doseone) being backed by cLOUDDEAD (as I believe they do on his whole album) but in a John Peel Session. I guess consider this my contribution to the Peel retrospective thing that's been going on. I read somewhere that one of the most striking things about him was how he could stay so open to new music for so much of his life. I really want to be like that. If you're reading this, and you wrote that, take your credit in the comments. [Buy other doseone]
video games - TMNT Arcade Game Fire!
I'm just writing it down like it appears on my computer. This is a relic from back when I would just search kazaa over and over again for the words 'arcade fire', knowing full well I wasn't going to find anything. But I kept this because, if I remember correctly, this is from the opening level of Teenage Mutant Ninja Turtles II (and then a colon and something like "Arcade Version" or something). The fire comes from the level being set in a burning hotel. Yeah, I had that game.
Also, our gracious music host, [un]known to most of you as "Steve", is no longer able to host the music. But thanks so much to him for all he's done, and all for free! If anyone has any ideas on what to do next, or if you want to thank Steve, email me
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the  and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
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"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Danny Zabbal.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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The best way to listen to Greendale is to get the 2nd-time around reissue with the black cover, which comes with a DVD of recording sessions for the album with scenes from the movie playing on the walls. It's really wonderful insight into his genius process and enriches every aspect of the songs as you watch.
Wow - the Neil Young tune is amazing. Much to my embarassment I only 'discovered' Neil Young last summer, but this is cos I don't give a shit about "amazing guitar solos", and I hate "Heart of Gold"... I had kinda been assuming that anything after "Harvest" wouldn't be to my taste, but I guess there are going to be returns-to-acousticry peppered all over. Is any of the rest of "Greendale" like this? Anything else I should seek out as a megafan of the non-rockin' bits of "Comes a time" and "AFter the Goldrush"?
Also - great words, dan. nailed it.
Thanks for the Robot Ate Me track - I've been singing "Our Bones Were Chalk" off and on the past few days while doing housework - for some reason the dogs seem to like it.
I've been following Neil's music since 1975 and Greendale is a decent set but not his best. "Bandit" is an acquired taste and an interesting piece for longtime fans to ponder, but will not convert any new fans.
Sean: you should check out "Zuma" from 1976; it changed my life and turned me into a hardcore NY fan. Other great albums are "Rust Never Sleeps", "Freedom" and "Ragged Glory".