Nick Thorburn - "Bad Dream (theme)"
The lines of his face. The crest of his lip, the rise of his jaw back towards his ear, a stubbled lift that seems to hold the rest of his face on display. His eyes positioned perched in their place, as if on a branch or a ledge, prepared to let themselves fall off and fly. His eyebrows like thumbstrokes, like prints, like tribal markings. His forehead the weighty blankspace, that seems to tell the weather with its movements. The temples seem swathed in perfect concrete, as if covering some ancient passageway, some route that was once needed. His hair, of course, the flourish, the sky that seems to disappear as perfect and natural but if unpainted would render the whole thing meaningless.
[buy from Nick]
(music from Serial)
Lowell - "The Bells"
Frank, 12, learns to text. And the eyes of his mind widen, this is a treasure. The way little love notes, and they are all love notes, pop up in just his cradled arms at 10:30, 10:41, 10:55. They could go forever, he can hold Lindsay from his class right in his bed and she lights up. Poof. Poof. Poof. He writes back anything, any combination of letters and spaces is enough to say i love you and it bounces over and back in their neighbourhood. Sometimes three in a row, they can say goodnight for an hour and a half. It seems like the air is helping them, like all of nature wants them to kiss their messages back and forth over their neighbourhood. [Buy from Insound]
Sparks - "The Rhythm Thief"
Alison is sitting up in bed and her arm is aching. THe light is jagged across her face, like a ripped letter .The curtains are too long. The eggs are going bad, they could be bad in the mornig. The door isn't locked. Showever showever showever showever.. That's a lackadaisical shower. Frank's joke book, with the genie coming out of the lamp wearig the naked man's clothes, that doesn't make any sense. Cancer . It shouldn't take that long to search on Apple TV. But also hopelessness for humanity. Slow Heat Death. 6:30: early enough? *scratch* "One Million Cases". How come women don't report their ebola to authorities? --Something seems to reach up through her crotch, right up through her cold stomach, and shake her rib cage like a fruit tree. Palm out, waiting for what falls. [Buy]
Leonard Cohen - "Samson in New Orleans"
Edmund imagines himself dying. He is in a white-linen bed or some such thing where the points of his feet show at the bottom and there is a plant in the window. He is somehow able to address everyone in his life at once, he can speak in their head like God's voice, a voice that drowns out all other sounds. And he imagines himself saying the right thing. A lengthy address, poetic, that would bring them all to tears and they would see his jagged beauty for just that, beauty, and not a thing that saws at everything that tries to grasp it. It would include many things, he thought, but definitely a phrase like "I guess that's how it goes" placed perfectly and given the right weight. The voice would be so powerful that, in death, he would crescendo, his last breath would correspond to his last note. And he wouldn't die like the rest, panting, wrung slowly into cardboard, furtive, embarrassed, unfinished.
[Buy directly from Leonard Cohen]
12:12 AM on Oct 29, 2014.
Weaves - "Shithole"
Lift my head from my body, loose already like a shard unglued, and rest it slanted in grass. Bring sun and wind like wet ingredients, lift it all into the air and let it go. Watch it float there, it doesn't fall. Sidewalks all like blankets, all doors curtains, roofs tents, all trees pendulums. Everything has an individual gravitational center, like a fingerprint. If your fingerprints had on them the names of people you almost were.
[Buy]
11:28 AM on Oct 21, 2014.
Today there is great news: Sean's book Us Conductors made the Giller Prize shortlist. But I don't want to say anymore, besides that I am so unstoppably happy for him I can't keep from grinning, proud, amazed, but also: "of course!"
--
So today I will post a couple of things I've been working on because life is short and I hope you like them.
FIRST is a proof-of-concept video as part of CBC ComedyCoup, a television "accelerator" (read: contest) towards a single winner of a $500K half-hour prime-time pilot. Our show is called One Night Only. Your views and faves and follows and ratings and shares are all the gold coins we need to collect. If you like it, pass it on.
SECOND is a music video I helped out on. Yes! There is still music today! The marvelous new band Brave Shores teamed up with some of my closest friends Tony Ho to make a lovely little celebratory romp (not without its darkness of course) that I think you will also like.
There's a song I left amidst the papers on your desk. I wiped the phone receiver clean, but could do nothing about the coffee ring. The window was open a crack, was that on purpose? I closed it. I hope it doesn't get too stuffy in there. That whole place seems to be tweed fabric stretched over metal. It's hard to remember when it rains, that it's not raining everywhere. That somewhere it's very nice. There's a film playing in my head when I close my eyes. It's of a rabbit being peeled like a banana. It's hard to remember when there's music playing that somewhere there is silence. I left a song amidst the papers, you'll find it if you look. It's long but you can read it if you like.
Hani Zahra - "Ma's In A Vaze"
Hani Zahra are different shapes of sticky rice, and they're in hidden places all over. You find them and it's food.
release show tomorrow at The Knitting Factory
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Keith Andrew Shore.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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