Screamin' Jay Hawkins - "I Hear Voices"
Edmund in a basement apartment. Unable to return to his place with May, he took the first thing he could find, just so he wouldn't have to go anywhere else. A house with six other people. "We share expenses here, we live communally." He wondered how long he would last in the face of mandatory dinners and the shared smells of bodies and a decaying house. He was in his mid-forties, and this was supposed to be some kind of badge of honour, the feather in his cap that was actually nailed to his head. He imagined Frank, his 11-year-old, coming here. He could see the boy's normally scared face downright petrified of the sheer height of these people, their confidence, their beaded everything. He lay on his mattress on the floor of the basement, the power out, and headlights cutting along the ceiling in jagged scrapes. He seemed to sink like a chemical burn into the ground.
[28 days left on the auction]
11:14 PM on Apr 15, 2014.
Angel Olsen - "Lights Out"
K's Choice - "Not an Addict"
Edmund walked out on May. He walked out on May and into the slanted streets at two in the morning. The late March ice was collecting in slanted flat puddles, like the whole world was tilted on its side and frozen that way. It seemed like there was nothing in his chest, no heart, no lungs, no ribs. Nothing but an electrical buzz. A buzz that seemed to be propelling him forward into the night and away from his fourth marriage. Carolyn, Alison, Jen, and now May. And the women in between, of course. And the women during. He grimaced into a donut and let it surge through him like his blood was sewage. There is no such thing as a normal mental state. There is no word that exists that isn't constantly being contorted into letters. There is no such thing as nature. There is only the buzz. The clicking, insatiable buzz.
[Buy Burn Your Fire for No Witness]
[Buy Paradise in Me]
(image)
Timber Timbre - "The New Tomorrow"
That face. Push that face into place. Today is the day when I spend it all. When I eat it all. I used to feel my life like a bright fuzzy line that stretched into time, and who knew what details would come into focus, but the general shape was there. There was length, it stretched far. But now the future feels exploding. After here, there is just *pow* space. It glimmers and sparkles but it goes everywhere, you can't look at it. That's the real problem with i//THAT FACE//t is that you can't look at it. You can't point in every direction, because then it's no longer a direction. It is simply everything and nothing. So I'll spend it all. Anything for that face.
[pre-order]
Each Other - "About the Crowd"
WAIT
WAIT
WAIT
WAIT
WAIT
Dig the basement and wall the basement. Build the desk and sand the desk. Seal the desk and build the chair. Make the candle and light the candle. Sit at the desk in the chair and write the letter. Write the letter with everything you have, everything left after digging the basement and building the desk and making the chair and sanding the chair and making the candle and lighting it. Put the letter in the envelope and seal the envelope with the wax from the candle. Make the lock for the drawer of the desk, and cut the key. Put the letter in the drawer and lock the drawer and put the key in your pocket. Take a walk and buy some chocolate; eat the chocolate. Walk to the bridge and throw away the key. Walk home and knock down the wall in the basement.
WAIT
[Buy from Fat Possum]
Schoolboy Q - "Collard Greens (feat. Kendrick Lamar)"
Pinball Sex. Moves like a Stretch Painting. Speaks stacked in Vertical Sentence. The kind of place where the mats scratch their backs on your boots and the beds resurrect beneath you, passed out. Reverse consumption. Cars that only slow down. Hydraulic Walk. I can only see electricity, I can only see your thoughts. Equal parts Slippery Sweat and friction point bisssshhhh.
[Buy]
(thanks to Miguel)
11:54 PM on Mar 19, 2014.
Li'l Andy - "The Powers of Our Day"
Three place settings. Three simple promises. Three long horizons. Dinner was either dipped in sunset or cold night crickets, and people were allowed to say things they didn't mean. They could do that, and nothing happened to them, they just went on. There was no God under the table or in the closet or in the furnace or in the floor. There was no God anywhere and people just said and did whatever they wanted. Three empty fields. Three ragged fenceposts. Three lousy words.
[Buy]
Girl Tears - "You're Nothing"
Focus on the out-breath. Feel the out-breath and let it go. Accept yourself as an animal. Accept that you will bellow and howl and stamp your feet and lose control. Honour your impulses and be gentle with your wild urges. Let go of self-punishment like it were the out-breath. Do not dwell on having behaved like a depraved teenager with a gun. Do not begrudge yourself the thoughts that keep you in the shower. Know yourself. Know the sticky, ragged caverns of your own dripping soul, it is the wealth and beauty of your place in the world. See the thick, buttery layers of baseless aggrandizement and the scuffed and swollen membrane of the stubborn switch that's stuck on 'run'. Know it. Measure it, with your fingers. And then take your fingers away and look at that space. That space is the distance between complete self-actualization and total annihilation. Out-breath in that space. [$5 USD]
--
Hot 8 Brass Band - "Sexual Healing"
Today would have been my friend Joel's 35th birthday. He was responsible for recommending this gem that has been one of my most "I loved that one" posts ever (NB: Joel AND the Hot 8 show up in the comments!), so I think of him every time. He was an incredible soul and he is dearly missed. [Buy]
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Ella Plevin.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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eat:
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