 ( photo source)
Sneaks - "Look Like That" [Buy]
I went to this place that sells marbles/granite, ceramic/natural stones for kitchens bathrooms etc that used in fancy hotels and restaurants where people have great table manners and fart quietly.
I needed to do some research for products I'm making for my day job.
I quite felt out of place like I was a chimpanzee in the time of monkey or Scarlett Johanson in Ghost in the Shell movie lol! whitewashing lol! gahhhhh.
So I went there in my Subaru 98 legacy with 2 big holes on the driver side doors that look like meteors hit my car. Front window shied has a crack running from side to side(I had to google "does window shatter on me while I hit speed bump with cracked window shield?" apparently, its OK as long as it doesn't bother your view.)
I parked in the parking lot far away from the store and I sat in the car, thinking about my "back story" of that I am young hip professional just bought a house and renovating. I made sure I looked like that, clean street wear which never touched the streets, nice sneakers with soles still intact, cleaned my clothes with rollers and got rid of my white cat hairs.
I sat in my car, getting hyped and getting into my character.
I thought about details like I have successful travel YouTube channel and +100k instagram followers but let the customer service imagine.
anyways, I thought that if I walk in confidence and dressed nice in fancy place like that I get better customer service.
Perhaps, I was right. I successfully made them think I somehow own a house. It wasn't the best service so maybe, they thought I have 20K followers instead of +100K as I aimed for.
As I was driving away, I looked at the store and I could see one of the clerk looking me and my Subaru 98. I saw his look in his eyes which is same look that Trump supporters have nowadays. "I-was-conned" look.
I drove away as fast as I could.

Sacred Paws - "Empty Body" [buy]
Sacred Paws - "Strike a Match" [buy]
Full of twisty highlife guitars, dancey tom-heavy drums, and occasional horns, the new Sacred Paws LP was a complete surprise to me. They're not from nowhere, of course. Rachel Aggs played guitar in the riotous razor-sharp London trios Trash Kit and Shopping, and drummer Eilidh Rodgers is ex of Glasgow's Golden Grrrls. But this record, full of interwoven vocal melodies, feels entirely fresh, like a gust of warm wind announcing the end of winter. The lyrics to the jumpy "Empty Body" describe the precarity of youth, knee deep in side-hustles and pining for a more humane way of life. Beefed up with bass, hand-claps, and horns "Strike a Match" is pure celebration. A tangle of lyrics and rhythms shot through with a pop sensibility, it sounds like Turn-era The Ex meets Bow Wow Wow.
(photo by Spike)
Carla Sagan - "Permanent"
Wet nose of the world's nicest dog in your lap, tilting kitchen strung with christmas lights, distant drift of all your friends laughing together from three or four flights up. Walk home alone, a little freer. Sleep with this song under your pillow and you will dream in the light key of a blank cassette tape, wake up smelling like fresh rain on pavement, spend the next day carving your initials into everything you see.
[buy S.L.E. split tape / thanks Sacha]
Train Fou - "Peuple Pollock". We all already know the notion of Schrödinger's Cat: a tabby in a box, at once dead and alive, somehow someways both until an observer checks. OK so that's Schrödinger's Cat. Let's talk now about Train Fou's "Peuple Pollock", a spectral and subdivided pop song, with shades of yesterday (Yeasayer and Massive Attack) and tomorrow (???). It's loop music, sample music, but with a forward-leaning groove, heavier and more abrupt than we're used to - much of the skeleton's made of trombone blarps, like snippets from a post-Inception movie trailer. I like it for the way it makes hay, serious hay, from elements that might otherwise feel naff (it was the same on Train Fou's previous, saxophone-y single). There's a sense that Train Fou (literally "crazy train") are taking these ridiculous, tacky, playful elements and using them as building-blocks for non-silly music, music with mettle and conviction. Which brings me back to my frail Schrödinger's Cat allusion. Imagine not a crate with a(n) (un)dead feline: imagine a cassette Walkman with the buttons' functions rubbed off. Shove a button down: somehow someways it's FFWD and RWD at the same time. Until you listen, it's everything - shuttling, reversing, playing regular time. In-out music, moonwalked or faked. Remember - nobody knows what you're thinking until you tell them, unless you tell them, and you can always lie.
[discovered via La Souterraine's Sainte Pop compilation / more Train Fou]
 ( photo source)
Weyes Blood - "Do you Need My Love" [Buy]
I hosted a workshop at University here in Montreal. Their design program's Student group invited me to give a small workshop on Monday.
It was really fun. As I walked into the university, I realized I hadn't been to schools in a really really long time. I looked around like Marty McFly when you got to past/future and looking around amused.
I just turned 36 years old, last month. I dont know if you guys know about this but I have Asian blood which makes me looks like 23 years old up til 79 and as soon as I turn 80 years old, I will turn into Yoda.
So I blended in pretty well in late teens to early 20's.
One point at the workshop, I made a joke about sanding wood is so miserable and I call it, "Melancholy and infinite sanding"
and there was silence and first time in my life. I felt like I made a dad joke.
So I dabbed.

Unwound - "Arboretum" [buy]
(Read part one and two here and here)
Lin came to in a tangle of rope. She could hear the waves crashing on the shore and smelled salt in the air. For a moment she thought this was the afterlife, but the stories all said that it was an infinitely long mead hall, not a seaside chasm.
Somewhere below her a bell was ringing, slowly.
She was still reeling from the dizziness that had suddenly overtaken her on the mountain pass. A moment ago she was flailing, reaching out for Barnabas. Then blackness. Now this. Lin felt defeated. She thought of Mica and a lump formed in her throat. He would die without the potion.
"Are you alright up there?" a voice called.
"Yes," she answered. "Where am I?"
"This is Nameless Chasm. I'm Alonso."
From the corner of her eye, Lin saw the man climbing up a ladder on the steep cliff face.
"Now hold on tight to this rope," he said as he tossed her a long rough line. Lin grabbed it, and when she gave the sign the net supporting her give way. She hung in mid-air.
"When I'm on the ground, swing over to the ladder and climb down."
Lin followed his instructions and twenty feet below she found herself on a beach. The narrow chasm opened to the sea.
"You've had quite a fall." Alonso was short, wiry, and deeply tanned. His hands were strong and his fingers calloused.
He noticed her gaze. "I used to be a fisherman, but now I mostly catch people," he laughed. "You'd be surprised how many folks tumble off that pass every year."
He motioned to the small hut nearby. There was a table and chairs outside it. "Can I interest you in a cup of tea?"
Lin looked up the cliff but she couldn't see the path she'd fallen from. "I have to get back up there."
Alonso shook his head. 'I'm afraid the wizard's made it quite impassable. The only way to the Northwest is through the Caverns of Crane. But it's a treacherous journey--"
A scream came from nearby, a terrified shriek that immediately sent Lin and Alonso running in its direction.
(image by Spike)
Sylvan Esso - "Die Young"
A slow ocean wave plus a sweet pop song. A late night walk home across the bridge plus a fax machine giving off sparks. A thin whisper plus a shelf of heavy books collapsing spectacularly to the floor. A real sad secret plus some searing singing hot pink neon. A promise plus a threat, which is just sex. A cat staring out the window in springtime making little tiny sounds with the front part of its throat plus a whole forest on fire, from above. A day of hot desert sun plus a whole-night dream of melting Tetris. A stream of radio static off the edge of a song from your childhood plus a calculator you don't remember swallowing in your sleep. A secret plus a slogan. A dark thing plus a sweet thing. Night plus something else that looks and feels like night but isn't, not exactly.
[What Now comes out April 28]
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about said the gramophone
This is a daily sampler of really good songs. All tracks are posted out of love. Please go out and buy the records.
To hear a song in your browser, click the  and it will begin playing. All songs are also available to download: just right-click the link and choose 'Save as...'
All songs are removed within a few weeks of posting.
Said the Gramophone launched in March 2003, and added songs in November of that year. It was one of the world's first mp3blogs.
If you would like to say hello, find out our mailing addresses or invite us to shows, please get in touch:
Montreal, Canada: Sean
Toronto, Canada: Emma
Montreal, Canada: Jeff
Montreal, Canada: Mitz
Please don't send us emails with tons of huge attachments; if emailing a bunch of mp3s etc, send us a link to download them. We are not interested in streaming widgets like soundcloud: Said the Gramophone posts are always accompanied by MP3s.
If you are the copyright holder of any song posted here, please contact us if you would like the song taken down early. Please do not direct link to any of these tracks. Please love and wonder.
"And I shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and I will never grow so old again."
about the authors
Sean Michaels is the founder of Said the Gramophone. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here. Click here to browse his posts.
Emma Healey writes poems and essays in Toronto. She joined Said the Gramophone in 2015. This is her website and email her here.
Jeff Miller is a Montreal-based writer and zinemaker. He is the author of Ghost Pine: All Stories True and a bunch of other stories. He joined Said the Gramophone in 2015. Say hello on Twitter or email.
Mitz Takahashi is originally from Osaka, Japan who now lives and works as a furniture designer/maker in Montreal. English is not his first language so please forgive his glamour grammar mistakes. He is trying. He joined Said the Gramophone in 2015. Reach him by email here.
Site design and header typography by Neale McDavitt-Van Fleet. The header graphic is randomized: this one is by Danny Zabbal.
PAST AUTHORS
Dan Beirne wrote regularly for Said the Gramophone from August 2004 to December 2014. He is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Click here to browse his posts. Email him here.
Jordan Himelfarb wrote for Said the Gramophone from November 2004 to March 2012. He lives in Toronto. He is an opinion editor at the Toronto Star. Click here to browse his posts. Email him here.
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things we like in Montreal
eat:
st-viateur bagel
café olimpico
Euro-Deli Batory
le pick up
lawrence
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shop:
phonopolis
drawn + quarterly
+ bottines &c
shows:
casa + sala + the hotel
blue skies turn black
montreal improv theatre
passovah productions
le cagibi
cinema du parc
pop pmontreal
yoga teacher Thea Metcalfe
(maga)zines
Cult Montreal
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Nice story (as usual, from you). The people with +100k Instagram followers probably just wish they were hip enough to be an STG contributor.